Sarah Darling

Described as “a tireless force of musical curiosity, skill, and enthusiasm” (Boston Musical Intelligencer), Sarah Darling enjoys a varied musical career that spans many centuries and styles. She holds a variety of leading roles in A Far Cry, Musicians of the Old Post Road, Boston Baroque, Les Bostonades, Gut Reaction, and Antico Moderno, while also performing with the Boston Early Music Festival, Emmanuel Music, Newton Baroque, Sarasa, the Boston Ballet Orchestra, and the Carmel Bach Festival. Sarah studied at Harvard, Juilliard, Amsterdam, Freiburg, and New England Conservatory, working with James Dunham, Karen Tuttle, Wolfram Christ, Nobuko Imai, and Kim Kashkashian. She has recorded old and new music for Linn, Paladino, Azica, MSR, Centaur Records, plus a solo album on Naxos and two Grammy-nominated CDs on Crier Records. Sarah is active as a teacher and coach, on the faculty of the Longy School and serving as co-director of the Harvard Baroque Chamber Orchestra. Praised for “absolute concentration and astonishing precision” (Badischer Zeitung), and “sympathy and spirit” (Hub Review) she’s been dubbed “the one to up the ante.” (Intelligencer)